2024
Digitalism is more than an exhibition—it is defining a moment in art history.
By presenting some of the best artists (‘digitalists’) working at the forefront of art and technology today, we are formally recognising Digitalism as a distinct new art movement, sitting alongside
the very best of Modern British and Contemporary traditional art at the British Art Fair.

This exhibition serves as a critical platform to contextualise and codify Digitalism, providing a narrative that traces its development and highlights its cultural significance. Through this exhibition, we aim to cement Digitalism’s place within the broader history of art, ensuring that its contributions are acknowledged and studied for generations to come.
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Jeremy Kidd was born in 1962, in London, into a family of 20 artists, headed by his grandparents Ben Nicholson and Barbara Hepworth.

He received his BA in Fine Art and Sculpture from De Montford University in Leicester, and inspired by an art collage assignment to document a walk through a park using multiple photographic shots, Kidd embarked on his unique digital photographic journey...

Kidd is widely recognized as the creator of day- through-night photography. He combines up to 100 long-exposure photographs into a single work. Kidd believes this to be a more cohesive way of expressing a landscape pictorially. It allows him to explore movement and condenses time, exemplifying the metaphysical in the urban and natural landscape. Thus, he can combine different times of day/night into one piece, exploring a scene for up to a week in each work. The results are grand-scale photomontages. Recently, he has begun animating these stills into pictorial narratives of the dystopic sublime and accompanying them with ethereal soundscapes, composed by Kidd, a talented musician.

In his new works, Kidd explores the digital intrusion in our landscape: oscillating, auric, spheres and graphic elements drawn from the vista, hover, and gestate floating over the scenes. Stretched rock strata double as organic bar codes, as one seeks to integrate meta space while it engulfs our environment. There is a loss of recognition between the digital realm, and our environment, as the singularity is reached – a resonant, blending of graphic interface, and longing for the return to nature.

Kidd lives in Venice, LA, and taught at the California Institute for the Arts and Otis College of Art & Design. Kidd is represented by the Imago Gallery, Palm Desert, CA. Since 1998 he has had countless solo and group exhibitions in the US, the Hague, London, Paris, Puglia, and the Venice Biennale. His
work has been regularly exhibited at the Laguna Museum of Art.

Kidd’s work is exhibited in many private and public collections in the US, Great Britain, Germany, the Netherlands, Australia, Algeria, Panama, Hong Kong, Italy, and Dubai.


UTE MOUNTAIN
LUNA STRIATE 1
(2023)


Phygital Archival print, automative tape,
plexiglass, aluminium,101.6cm x 71.12 cm


£7,500








CLARION AGATE CRUNCH (2024)
Phygital, 98cm x 64.7cm

£7,500






CORONA ARCH TEMPORAL (2024)
Digital

£1,950








JOSHUA NOCTURNA GRANDE (2022)
Digital

£1,950






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